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| :: Title :: |
Homage À Ma Mère |
| :: Genre :: |
dance tune, valse créole, waltz |
| :: Performers & Instruments :: |
| Boislaville, Loulou [vocal] |
| Charlery, Maurice [guitar] |
| Coppet, Hurard [clarinet] |
| Grebeau, Emile [chacha] |
| Laugetty, Raymond [trombone] |
| Londas, Sully [bass (double)] |
| Longrais, Mardel [drum (drums)] |
| Sainte-Rose, Georges [violin] |
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| :: Group Name :: |
Musique Créole Group |
| :: Setting :: |
Ravine Vilaine |
| :: Location :: |
Fort-de-France (None), Fort-de-France (Martinique) |
| :: Culture :: |
French Antillian, Martinique, Afro-Caribbean |
| :: Session :: |
Fort-de-France 6/62
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| :: Date :: |
6/19/1962 |
| :: Reference Information :: |
T1119.0, Track 2 (00:03:18) |
| :: Original Format :: |
Reel to Reel
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| :: Session Notes :: |
| 1 - This session features a group lead by Loulou Boislaville (b. 1919), a famous bandleader, composer, and dancer, as well as the well-known clarinetist Hurard Coppet (1908-1971). The style and sound of these performances are best summarized as urban popular dance music. Many of the recordings in this session can be found on Caribbean Voyage: The French Antilles (Rounder 1733) and Caribbean Voyage: Martinique (Rounder 1730). [Source: Editor] |
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| :: Recording Notes :: |
| 0 - Polyphonic texture and improvisatory feel. Note the progression of different and/or recurring sections / strains ? at which point the melody is usually played on different instruments with corresponding changes in the overall sound / texture. Vincent Ozier Lafontaine is the composer. [Source: Editor] |
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| :: Collection :: |
Caribbean 1962 |
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