:: Title :: Danga-we
:: Genre :: bongo, wake song
:: Performers & Instruments ::
Alexander, Walter [vocal]
Andrews, Allios [vocal]
Balfour, Cyril [vocal]
Bonaparte, Randolph [vocal]
Bonaparte, William [vocal]
Davis, Mickey [vocal]
Joseph, Paul [vocal]
Joseph, Peter [vocal]
Moto, Emelda [vocal]
Quinton, Egbert [vocal]
:: Group Name :: Bongo group
:: Setting :: Unspecified
:: Location :: Cumana (Sangre-Grande), Trinidad (Trinidad and Tobago)
:: Language :: Trinidadian Creole French
:: Culture :: Caribbean, Trinidad, Afro-Trinidadian
:: Session :: Cumana 4/62
:: Date :: 4/26/1962
:: Reference Information :: T1055.0, Track 7 (00:04:03)
:: Original Format :: Reel to Reel
:: Session Notes ::
1 - This session begins with instrumental performances involving cuatro ? small four-stringed Venezuelan guitar ? and fiddle (tape 1053, tracks 5, 7, 9), followed by the alternating lead-chorus singing style characteristic of bongo performances (tape 1053, tapes 10-12; and tape 1055, track 1, 3, 5, 7). Also, interspersed throughout this session are five interviews with individual performers (tape 1053, track 6, 8; and tape 1055, track 2, 6, 8). The instrumental performances are meant to accompany a number of dance styles, namely a bélè (song-dance), a quadrille (Afro-Caribbean interpretation of nineteenth-century European set dance), and a ?jig.? Bongo performances occur at a Trinidadian wake and feature music and dance to placate ancestors. [Source: Recording and Field Log]
:: Recording Notes ::
0 - Performance includes leader-chorus alternation, qua qua (bamboo sticks), and handclapping. The recording fades out at the end. The tempo increases midway through the performance. [Source: Editor]
:: Collection :: Caribbean 1962

 

 

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